One of our favorite things about contemporary art is getting to know the artist behind the work. While the work itself tells a story, the artist’s background further paints the picture of where they came from and how they got to where they are today. We sat down with our artist Daisy St. Sauveur to learn everything about her - from growing up in New England to navigating her artistic career:
Abigail Ogilvy: Tell us a little more about your background.
Daisy St. Sauveur: I grew up in Cohasset, Massachusetts- it's a tiny ocean town in the South Shore. My mom is a graphic designer/painter, and my dad works in music. I knew I wanted to be an artist my whole life, but until 2015 I thought I would study illustration (I was obsessed with anime and cartoons growing up!). I ended up declaring as a printmaking major at MassArt and I've been studying it ever since.
AO: So what was your initial spark to be an artist?
DSTS: Since my mom is an artist, I was lucky enough to be introduced to art at a very young age. We would see all kinds of artists- from Miyazaki to Thiebaud- I was introduced to many different styles at a young age. Making art was the one thing I could focus on when I was growing up (I probably went through five sketchbooks a year!). There was definitely a period of time in middle school when I was fascinated with anime, and I think that interest inspired a lot of the shapes and colors I currently use.
AO: How did you choose your medium?
DSTS: While I was a freshman at MassArt, I wandered into a student printmaking show one rainy morning. The work was so fresh and interesting, it was unlike anything I had ever seen before. Being the impulsive person I am, I decided on the spot that I would study printmaking instead of illustration. Print allows me to work in a layered, collage-like way, and I can easily make variables and play with the piece until I'm satisfied.
I've also started painting a lot more- primarily acrylic. Painting has taught me patience, I can't be as impulsive with it, but I've learned a lot about creating unique shapes and spaces.
AO: What is your creative process like? When you begin a new work do you have a vision of the end result?
DSTS: I always have a vague idea of what I want a piece to look like but I never know for sure. I'll start with a sketch and then realize 'You know what? I'm bored I'm gonna scribble on this.' Or I'll cut it up, collage it, paint over it, etc. I love to push my artwork as far as I can. I try to make things as chaotic as possible while staying along the lines of the original composition. Whenever I mess up, I'll paint a big square or scribble over it- kind of like white out. I always like the pieces I "mess up" better than the ones that go exactly as planned.
AO: We love that organic chaos in your work! With that in mind, what themes do you pursue?
DSTS: Recently I've been interested in branding and advertising. The idea of interruption seems to be a common theme in my work lately. I love working with pop culture, social media, and the visual relationship between architectural and organic forms. As a young artist, my experience is a little different from those who grew up in the 90s. The 2000s fascinate me, and I take a lot of my subjects from that era.
AO: What are you currently working on?
DSTS: Right now I'm working on a series of screenprints that have advertisement-like interruptions. One of the pieces I'm most excited about features a pink and yellow jungle-like pattern with a vintage Sandals Resort ad in the middle of it. I really want to explore that frustrating feeling of interruption and obstruction. I'm constantly being bombarded by commercials- from Youtube and Instagram to the radio, billboards, or even airplanes. What would it be like if fine art had advertisements too?
AO: Are there any artists that inform your work?
DSTS: There are so many artists I love, but my favorites are Jonathan Lasker, Henri Matisse, Nona Hershey, Cy Twombly, Takashi Murakami, Ricardo Bofill, David LaChapelle, and Leroy Neiman.
Check out Daisy St. Sauveur’s work at Abigail Ogilvy Gallery on view through June 16, 2019!